Final Major Project

What is Drag?

There are many outlets of artistic expression, one of those ways is through drag. A drag artist can either be a man dressing as a woman (Drag Queen), or a woman dressing as a man (Drag King) and can also include transexual and transitioning performers as either drag kigs or queens. Drag should not be confused with cross-dressing, which is more about a secretive personal choice as drag artistry is more about performance.
Drag artistry can be linked back to a long tradition of men performing in women’s clothing. This has been seen regularly in Shakespeare, beginning at a time when women were not able to act in female roles on the stage. From that point in history, men dressing as women for the sake of performance can be seen in multiple films including Some Like it Hot (1952) and Tootsie (1982).
There are three elements to drag, beginning with a stage name, and continuing on to the reinvention of their identity. The final aspect of drag is reliance on the audience’s understanding of gender fluidity, making the drag artist more believable and accepted in their new gender role.

“The authenticity of femininity is always undermined by a drag queen’s roughness, which often includes a vulgar stage presence and desire to shock”, drag now is much more about glamour and femininity or masculinity in the extreme. (Carmen, n.d)

During the 1980s the club scene was central to the development and popularity of drag performance and impacted the ways in which young people expressed themselves and their gender.

Boy George said “At all those clubs I’d go to before I was famous, it was all about the look you had and being the most outrageous. They basically were stage outfits, although I didn’t think of it like that at the time. I was very influenced by Bowie, rock, punk and disco, and was into any and all clothing, even religious clothing – it didn’t need to be designer fashion” (Johnston, 2020)

Including Boy George other multiple music artists were also testing the gender boundaries within the public eye. These include performers such as David Bowie and Freddie Mercury.

As Boy George put it, “Most drag queens have no desire to be female but they revel in their ability to confuse and create illusions. Then there are those who are completely unfeminine but just like the feel of sheer tights and the flick of a big wig”(Johnston, 2020) 

The popularity of drag has increased within mainstream culture in recent years, beginning with the work of RuPaul in 1992. This work continues today and has become hugely popular and influential. RuPaul’s ‘Drag Race’ has in very recent years brought drag culture into the mainstream, with more and more gay people expressing themselves through drag performances, as well as some heterosexuals. With the popularity of drag growing daily the expectations are higher than ever. Behind-the-scenes fashion designers, hairstylists, makeup artists and photographers get the chance of sharing their artistry to become noticed. Drag has therefore become more extreme in its artistic expression in recent years, becoming the epitome of glitz and glamour.

 

For the purpose of this project, I looked at how in different industries such as theatre, entertainment, the music industry, fine art and modern art drag is viewed from different perspectives.

This then inspired my decision to focus on photographers who captured images of drag.

With a combination of being part French and having fashion designers as relatives, my inspiration began as a small child. The sophistication of Coco Chanel in comparison to  Vivienne Westwood who was out there on her own has made me understand every artist has their own unique style. When I consider the photographers that I have looked at for inspiration on this project, I find Adam Ouahmane an interesting photographer. He is not scared to try sassy poses, this not only brings the confidence out of his client but with each shoot you can see more confidence within him. Liam James Doyle, I am not keen on as a drag photographer. His work seems so drab in comparison, the colours are flat, and they also seem to lack the personality that jumps out at you from the photograph. Both these photographers are very different in their representation of what they see drag photography to be.

Most drag photography I have viewed is quite in your face, I was hoping to create not just the flamboyant side of this artistry but the documentary side. Each of them has a story behind the journey of how they achieved their acclaim. Being able to bring the emotion and vulnerability to the person behind the drag artist would allow the viewer to see them in a whole different light.